To escape the duldrums of work, he loses himself in the internet and comes across the journal of a man whose life sounds very familiar-Oba Yozo.
While he has been published by some of the biggest names in the comics industry, his star still shines brightest as a cult favorite, an underground artist whose emo comics are the voice of a new generation. In this first of three parts, alternative comic artist Usamaru Furuya appears to be overcome with deadlines. Maybe that is what led these two together after 100 years. In many ways, it could be said that Furuya has traveled a path that may be similar to Dazai's. The comic is narrated by the artist, Furuya himself, making appearances at the start of each volume. The series is composed of three parts, referred to in the novel as "memorandums," which chronicle the life of Oba from his teens to late twenties.
A weak constitution and the lingering trauma from some abuse administered by a relative forces him to uphold a facade of hollow jocularity since high school. Yozo Oba is a troubled soul incapable of revealing his true self to others. Set in modern day Tokyo, Dazai's tale details the life of a young man originally from a well-off family from Japan's far north. In honor of the 100th birthday of Osamu Dazai, Usamaru Furuya retells Dazai's most important work No Longer Human in modern day Tokyo where modern vices can bring ruin to the self-loathing.įuruya's adaptation of No Longer Human takes place nearly seventy years after Dazai's original.
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